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Showing posts from March, 2018

Requiem (2018) | Netflix | Another decent British Supernatural Thriller.

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‘Cold case of a missing kid’ seems to be the formula that works the best for most of the British Supernatural Thrillers these days.  Requiem  , too follows the trend when 23 years later, the case of a toddler who went missing in 1994 comes into limelight. The series begins in breathtaking pace and the subsequent episodes somehow goes meandering and is unable to keep up with the brilliant beginning.  It’s definitely not as good as  Dark ,  The Five  or Broadchurch but definitely better than 1922 and Collateral. The series begins with an old man in a small Welsh Village commits suicide, followed by another suicide in London of the mother of a rising Cello star Matilda Gray ( Lydia Wilson ) right in front of her. The element of supernatural is laden in the very first shots itself. Matilda and her friend Hal Fine( Joel Fry ) travels to the Welsh Village in search of the truth following the few clues left behind by her mother. The remainder of the season is all about the mystery of

The Outsider | Netflix Original | Slammed by the critics, loved by us

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The Outsider  (Gaijin), starring  Jared Leto , is the latest addition to those Netflix Originals that was slammed by most of the critics and yet turned out to be an enjoyable watch for me. This Netflix Original tries to experiment with the less talk and more acting type of storytelling which is not often seen in the genre of crime thrillers. For an out and out Jared Leto movie, The Outsider is more than 70% Japanese. The movie follows the story of an American soldier imprisoned in post-war Japan who enters the Japanese Mob Family, Yakuza after befriending one of them while in prison. The support cast of  Tadanobu Asano ,  Kippei Shîna  and  Shioli Kutsuna  are amazing throughout but no gaze goes past the intensity of  Nick Lowell , portrayed by Jared Leto. The intensity and honestly he brings to his character is beyond words. The story telling style and the exhaustive usage of Japanese in the movie makes it difficult to convert ‘The Outsider’ into a fast paced thriller that it co

Collateral | Netflix Limited Series | A British mystery with more drama than thrills.

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Collateral (2018) , is a  new four part limited mini-series that was made by BBC and presented to the rest of the world as a Netflix Original. We were thoroughly intrigued by the trailer which promised a lot with the stellar cast. The 4 episodes of this mini series occur over four consecutive days. They have tried to address too many issues in this short mini series, which in my opinion might have muddles the waters a bit.  Carey Mulligan  as DI Kip Gillespe,  Jeany Spark  as Major Sandrine Shaw,  John Simm  as MP David Mars and  Nicola Walker  (one of my favorite mini screen actors) as a gay clergy were stellar in their roles.  The series has bits about the pains of a homecoming soldier, the desperation of the refugees fleeing from their terror riddled home countries, drug abuse amongst young mothers,  LGBT acceptance amongst the English clergy, rank abusing Army superiors and the immigration stance that has ravaged all developed nations. They have bitten off more than can chew

Mute | Netflix Original Movie | Barely watchable futuristic thriller.

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Netflix has pretty much everything about the future sorted out and ready for us to witness.  Mute  follows the story of  Leo Beiler ( Alexander Skarsgård ) who is a mute bartender who goes in search for his missing girlfriend (Nadiraah- played by  Seyneb Saleh )  and  Skarsgård  is probably the only good thing about the whole movie.  The story is set 40 years into the future in Berlin, which is filled with immigrants where all cultures collide. I had read somewhere that the film took the makers 10 odd years to complete and the end product did leave you with a lot of questions and ‘meh’ moments. Paul Rudd  , too put in a pretty good shift as one of the two cocky American surgeons who makes quick bucks by sewing up mob henchmen who get injured in ‘the line of duty’. The first few minutes were intriguing and as the story evolved I was left wondering what the end game was.  The plot is predictable, dialogues uninteresting and  the premises an odd juxtaposition of retro cars, contempo